Gosh, Snowboarding, and a Quick Review

Good evening,


How are you? "I'm fine, thank you, and you." That is the response you are cultivated to say if you are a Japanese elementary school student. Other acceptable answers might include "I'm sleepy, I'm hungry, or, I'm happy" depending on if you are the smart kid or not.


What a week. Ladies and gentlemen, we've got a great post for you tonight. In my post, I'll write a little bit about Japan, a little bit about the things I've been doing, and, of course, your favorite tidbits about anything I have to comment about. We'll also talk about the newest Of Montreal album, Skeletal Lamping. I tried to book them for a live show, but they were busy touring in Tokyo. Yes, I'm serious, they are actually in Tokyo next week touring, while I am going to Tokyo the day after they leave. Ah, such luck, but, before I ramble too much, let's get on the with show.

As an English teacher in Japan, we get some interesting questions. Some deal with your gastronomic tendencies (what food do you like/hate?), others with the way things are in America (what food in America do you like/hate?), and some things about your physical appearance (why is your nose so large?). Today, I got, perhaps, the most, um, interesting one. I was asked why my eyes weren't blue. For this one, the teacher had to jump in and explain that people from all over the world get married in the US, so not everyone has blue eyes. Also today, what is your favorite vehicle?

What have I been doing lately? Well, aside from the regular routine, I collected on a snowball fight with my friends in Goshagawara. After buying a snowball fight with hot cocoa and dinner at the service auction earlier in the year, we decided it was time to collect before all of the snow melted away. A 3 hour drive on Saturday (after my enkai friday night with a principal and his favorite teacher), got us to Gosh.

Now, I specifically sent blueprints for a two-turret snowfort, with a small, but stable, perimeter made of ice walls. For some reason, our hosts weren't able to make this in time, so we had to make due. We went to a park in Gosh that was full of snow and ice, and we just jumped around and had a great time.

That night, we had a nabe (japanese soupish food) party, and then we crashed at Katie's place.

The next morning, we went to Ajigasawa mountain for some snowboarding, woohoo. 3rd time in, and I was really loving it, a lot. The snow was so nice and powdery, it didn't really hurt. That was until I fell off the snow lift on my way down and caused the Japanese guy on my left to crash into me. Sumimasen, gomen nasai.

After that, it was time to go back home and sleep. The end of a great weekend. That Friday before Saturday (but really, when else does Friday night come?), I had an enkai with those two previously aforementioned teachers. It was really fun, regardless of the language barrier. We got to the izakaaya, and they just ordered a ton of random food and drinks while I watched and my stomach was happy. Afterwards, I met up with Paul and we went to karaoke with his visiting friend. It was a good time.

I'm starting to get tired of my music now. Not good. I have crested over my need to hear Of Montreal's Skeletal Lamping. And, speaking of that, here's the quick review.

Skeletal Lamping. Wow. This CD surely isn't for everyone, even the previous die-hard Of Montreal fans. From 60's rock and roll sound to melodic, synth rock-pop that sometimes diverges into light funk, this band has evolved by leaps and bounds. Their cd is quite ambitious, and it takes the so-called "ivory tower" upon which indie bands have typically rested upon, and at once levels and extends it. Listening to the tunes are enjoyable, but actually hearing the lyrics ups your enjoyment by at least 80%. The lyrics range from normal-yet slightly weird, to full-blown "you won't understand me without a dictionary and a book on Greek/Nordic/British Literature." What makes it even more intriguing, at least to me, is that the lead singer (who actually is the band and writes all the music) references himself and his life in the music. The more you know about his life, the more the lyrics will make sense to you (even the ones that seem meaningless or put in there just for the *shock* effect).

Now, the real polarizing effect of this album isn't the lyrics, it's the abrupt song changes every 30-60 seconds. Some people cannot handle this. They see potential in a melody he introduces, in a great chord progression he puts forth, and they just can't understand why he would ruin it after only 45 seconds of playing it. If you can't stray from conventional music standards, don't bother with this album. The opening song, along with one or two other songs, are fairly standard, but aside from those, it's full-blown craziness. I happen to really enjoy this new take, and I think it's a great idea that works very well with this album.

I must rescind one of my previous comments though. Sometimes the lyrics are meaningless, only put in there for effect and not for meaning, especially as compared to Of Montreal's previous records, which heap up on the polysyllabic spelling-contest words. But, much of it is not.

Well, that's it for the mini-review. And also that's it for the 1st half of the show. Hope you enjoyed it, come back next week for more.

-Greg